Archive for the ‘Baltan Tracker’ Category

Interview with Geert Mul

Friday, February 12th, 2010

By Ties van de Werff
Translated from Dutch by Jane Hardjono

“Echolocation”, interactive installation, Geert Mul, 2009, Roombeek, Enschede.

Geert Mul is one of the four artists working on research projects at BALTAN Laboratories under the umbrella of Poème Numérique. Mul started his career back in the 90s as a VJ in Rotterdam, which later led him towards interactive video and audio works within different contexts. He  has exhibited in the Netherlands, Spain, Italy, India, China, Japan and South Africa. As a member of the artistic staff at BALTAN, Geert Mul has exciting ideas about Poème Numérique, the synthesis between art and science, the implications of new media for the arts, and the future of BALTAN. An interview with one of BALTAN’s artistic thinkers.

Database as spirit of the times

During my interview with Lucas van der Velden (Telcosystems) it became quite clear that Poème Numérique is completely different to its precursor, Poème Electronique. For the artists at BALTAN, it’s more about the synthesis between different disciplines. Geert Mul: “The idea of interdisciplinarity and the connection of architecture with other disciplines is nothing new. The cathedral is an example of a multidisciplinary building and acoustic design. Poème Numérique is about a possible integration of architecture, imagery and sound.  Poème Numérique is literally the starting point, meaning we are leaving it behind. But we are  trying to pull the concept into the now, and into the future.” Our current era, according to Geert Mul, is defined through digital media that form a fundamental and structural watershed with everything that has come before: “To me, it’s all to do with the digital database, a tool through which real-time information can be ordered and re-ordered. A library is a wonderful database, but that is where information is always ordered physically, in a space. A digital database does not possess intrinsic ordering; a digital database can be randomly ordered and re-ordered within milliseconds. That to me is the most elementary quality that separates new media from old media.” (more…)

BALTAN Session on custom tools

Thursday, October 29th, 2009
December 10, 2009
 
5:00 pmto7:00 pm

On Thursday, December 10th, from 17:00-19:00, BALTAN Laboratories invites you to the last BALTAN Session of the year, which will focus on custom-designed technologies and tools developed as part of artistic research projects. In addition to a festive drink, the evening will feature presentations and demos by artists Gert-Jan Prins and Bas van Koolwijk, who will present their newly released SYNCHRONATOR device; and Erik Overmeire, who has been working with Geert Mul on developing the BALTAN Tracker here at the lab.

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BALTAN Tracker Research Update

Saturday, September 26th, 2009

Concept: Geert Mul
Programmer: Erik Overmeire
Thermographic motion-tracking system

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In my work I started to use a Thermographic camera for motion-tracking instead of a normal camera because the thermographic camera ‘sees’ only heat and no light. This filters out a lot of computer vision misinterpretations that occur when working with a normal camera, where shadows or objects can be mistaken for persons.

September 2009:
Erik Overmeire and myself installed a test set-up at BALTAN Laboratories. I’m using a FLIR VSR-6 camera. One of the reasons is that this camera has a nice wide-angle lens that is often useful. Another reason is that the camera can be used outdoors. We are using Max-MSP both to control the camera, and for motion-tracking. As for the computer, we bought a Pear-C, a mac-clone, basically a PC with OSX running on it. I have to feed the analogue signal into the computer and I’m using an ADVC-55 for that. The results stemming from the development of the BaltanTracker will not only be the tracker itself but also a library of abstractions that could assist in making motion tracking a lot easier for artists working with Max/MSP. (more…)

A View on Looking – report from BALTAN goes NATLAB 2

Thursday, July 23rd, 2009

On April 24, 2009, BALTAN hosted the second in its BALTAN goes NATLAB series at the former Philips NatLab at Strijp-S in Eindhoven. Curated and moderated by artist Geert Mul, the focus of this session was on the philosophy of perception and how artificial intelligence and robotics can lead to a deeper understanding of human behaviour itself. We invited 3 speakers to present very different perspectives on the topic.

The first speaker was Thom Warmerdam from Philips Applied Technologies who gave a presentation of the artificial eye that he is developing. His presentation also shed a light on how the brain constructs an image.


View on Vimeo.

 

He also brought along the robotic eye (currently inhabiting a stuffed bear) to demonstrate his current research.

More excerpts from Thom’s presentation: (more…)

Presentaties van het project Matter

Wednesday, June 10th, 2009

25 en 26 juni 2009 om 20:30 in Dansateliers Rotterdam

Matter is het derde deel van een serie waarin Liesbeth Koot zich bezighoudt met de combinatie van dans, film en nieuwe media. De eerste twee delen resulteerden in korte experimentele films, dit derde en laatste deel in een live performance. De performer wordt door het gebruik van tracking software vertaald naar bewegend beeld en geluid. Daardoor wordt haar omgeving ook een soort spiegelbeeld of alter ego. Het idee voor Matter is ontstaan naar aanleiding van Ovidius’ Metamorphosen, een gedicht dat zijn oorsprong niet in de fysieke werkelijkheid heeft maar in de mythologie. Ovidius beschrijft een lange reeks van gedaanteverwisselingen.

Matter is een concept van Liesbeth Koot, in samenwerking met Inari Salmivaara, Lucas van der Velden, Gideon Kiers, David Kiers en Birgit Bachler.

Matter is mogelijk gemaakt met steun van Kunst en Cultuur Rotterdam, ThuisKopie Fonds en Fonds voor Beeldende Kunsten, Vormgeving en Bouwkunst en BALTAN Laboratories, Eindhoven.

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